本文从指认创意的载体入手,指出看似无形的创意却有一个形态万千的载体——人,要让更多更好的创意喷薄而出,就必须让人得到最大限度的自由和解放,而人的梦想正是创造力的源泉;从解析创意的本质出发,论证了创意产业的核心也许恰恰是那个表面上的对立面——传统。传统是滋养梦想和创新的母体,传统与创造是二位一体的关系;西方的文化传统同样可以成为我们创意的源泉,而且这种带着“越界”特色的横向交融,进一步打开了“传统”的疆界,打通了融汇东西方文明的血脉,是创造与传统二位一体的更深层体现。
<<This article,by starting with the carrier of creativity,identifies the form of creativity which seems formless. To bring out more fantastic ideas,liberating individual’s mind is necessary,and individual’s dream is the source of creativities. By beginning from explanations of the nature of creativity,this article proofs that the code of creativity is tradition,exactly the opposite side of creativity. Creativity occurs concurrently with tradition,the source of imaginings and innovations. Western culture tradition,that might become the source of Chinese creativity and this overlie is the very key for the door of the confluence of eastern and western culture.
<<Keywords: | Cultural IndustryEnvironmentTradition |