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以个人“记忆”置换，或者说重写“历史”自20世纪80年代以来便日渐频繁地在影视作品中充当再现历史的手段，而“记忆”与“历史”之间的暧昧关联，实际上也显影着意识形态运作以及文化霸权位移的痕迹。本文通过对《集结号》等一系列文本的讨论，试图在后冷战及后冷战之后的世界格局中重新定位这一关联，以解析出其中变动不居的复杂社会、历史地层。
<<It is very common to rewrite history with personal memory in the films after 1980s. In fact，the obscure relation between ‘memory’ and ‘history’ also reflects how the ideology functions and how the cultural hegemony changes. This paper tries to place this ‘memory-history’ relation both in post-cold war era and after post-cold war era and analyze the different historical and political layers of it.
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