The Piano in a Factory cannot be simply considered as a film with the realist content and the super-realist form. There is no super-real element in the film reproducing the historical memory. And the hero in the film is endowed with three identities：worker/actor/father. It is the unity of the three identities that constructs the memory/production of the film. In the construction，there is no distinction between domains of family，art and industry，all of which are the production in various forms. Through the break and reflexivity，the precondition，motive and logic of the narration are displaced in the film，so that a generally accepted good story （the misery and fantasy of plebs） is transformed into another story：the reconstruction of the Name of the Father.