观看一次行为艺术与观看某件行为艺术的各版本的局部照,这是两种截然不同的视觉经验,文章聚焦于观看者在看这类局部照时特殊的视觉经验——视觉不完全性与视觉经验的重建。观看局部照时,行为艺术所欲传达的原初经验被打断,而视觉偶然性得以产生。平面真实、视觉疏漏的发现以及相应视觉好奇的产生,这是行为艺术的局部照形式所能提供给我们的一种往往被忽视的视觉经验,它们共同展示了视觉偶然性的可能途径和可能方式。当然,从效果而言,相对于平面真实再一次证实“照片不会撒谎”这一神话的破灭给观者带来的震惊,视觉好奇更在一种无意识的主动层面上扰乱了拍摄者与观者之间的传统关系。
<<The article focuses on the incompletion and reconstruction of visual experience when performance art was photographed. Once being photographed and displayed,the original experience is interrupted and visual occasionality emerges. The photo-realistic experience,the visual omissions,and the visual curiosity,which our visual experiences usually neglected,are clearly revealed in detail photos of the performance art. The experience show us the possible way in which visual occasionality appears. Those visual experience disturbs the traditional relationship between the photographer and the viewer.
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