通过影视艺术对战争所造成的民族创伤记忆进行影像重建,是一种具有世界性的文化行为,值得理解和尊重。但近年来,中国内地有关抗日战争的影视创作却在数量上达到畸高的程度,在价值层面上也越发陷入激进民族主义的窠臼,整体上逐渐呈现一种仇恨传播下的“影像复仇狂欢”态势。此种现状及其可能带来的危害,以及在全球化语境下我们究竟需要何种战争叙事的问题,都值得全社会认真关注与共同反思。
<<The cosmopolitan cultural behaviors to reconstruct the national traumatic memories of wars by films and teleplays are understandable and respectable. However,in present China,the quantity of Anti-Japanese-War-films-and-teleplays is abnormally high,while the common value is deeply trapped in radical nationalism and the general trend is driven to an“imaging revengeful carnival”. Consequently,considering the potential harms of these situations,the question that what kind of War Narrative does we really need under the circumstances of globalization should get serious attentions and joint rethinks from the whole society.
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