苗族蜡染是具有苗族文化特色的非物质文化遗产。它源于田野,将麻布、棉布、蜂蜡等原料手工绘制成图。随着时代的发展,苗族人尝试让历史悠久的蜡染技艺走向市场,宁航公司是这一领域的先行者。本文通过对该公司的蜡染生产方式、传承形式和开发模式等内容的调查,试图深入探讨传统工艺美术类非遗的保护和开发。因此,传统工艺美术类非遗的发展必须以生产性保护为核心,以梯度开发为手段,才能合理而有效地解决传承保护和商业开发之间的矛盾。
<<The Miao batik painting has been considered as one of the Intangible Cultural Heritages which is full of ethnic characteristics. It is drawn by hand into a painting by using linen,cotton cloth and bee-wax which all come from the nature they live in. With the developments of society,the Miao have tried promoting the long-history skills of batik painting to the modern market,and the company of Ning Hang has been the excellent pioneer of this field. The thesis will investigate on the modes of production,inheritance,and development of the company’s batiks,attempting to make a deep discussion on traditional industrial arts’ intangible cultural Heritage’s protection and development and then draw a conclusion that the development of traditional industrial arts’ intangible cultural heritage should be focused on the productive protection by using gradient development in order to tackle the contradiction between inheritance protection and business development reasonably and efficiently.
<<Keywords: | Traditional Industrial ArtsIntangible Culture HeritageThe Productive ProtectionThe Gradient Development |